bot

One of my favorite jazz albums has got to to be Wayne Shorter's Night Dreamer. I just started listening to Speak No Evil and so far this is my favorite track. Enjoy.

Bill Evans - Night And Day Tribute to Bill Evans Bill Evans - The Best Of Bill Evans - 04. Night And Day night and day piano solo bill evans jazz tribute the best performance cannonball adderley larry bunker ron carter paul chambers percy heat frddie hubbard chuck israels philly joe jones sam jones connie kay teddy kotick scott lafaro paul motian zoot sims drums tenor sax trumpet bass

Blues March Album: Moanin' (1958) Written by: Benny Golson Personnel: Art Blakey — drums Lee Morgan — trumpet Benny Golson — tenor saxophone Bobby Timmons — piano Jymie Merritt — bass

Along Came Betty Album: Moanin' (1958) Written by: Benny Golson Personnel: Art Blakey — drums Lee Morgan — trumpet Benny Golson — tenor saxophone Bobby Timmons — piano Jymie Merritt — bass

Moanin' Album: Moanin' (1958) Written by: Bobby Timmons Personnel: Art Blakey — drums Lee Morgan — trumpet Benny Golson — tenor saxophone Bobby Timmons — piano Jymie Merritt — bass

Lonely Woman Album: Song for my Father (1964) Written by: Horace Silver Personnel: Horace Silver — piano Blue Mitchell — trumpet Junior Cook — tenor saxophone Eugene Taylor — bass Roy Brooks — drums

Que Pasa? Album: Song for my Father (1964) Written by: Horace Silver Personnel: Horace Silver — piano Carmell Jones — trumpet Joe Henderson — tenor saxophone Teddy Smith — bass Roger Humphries — drums

Song for my Father Album: Song for my Father (1964) Written by: Horace Silver Personnel: Horace Silver — piano Carmell Jones — trumpet Joe Henderson — tenor saxophone Teddy Smith — bass Roger Humphries — drums

Lazy Bird Album: Blue Train (1957) Written by: John Coltrane Personnel: John Coltrane tenor saxophone Paul Chambers — double bass Kenny Drew — piano Curtis Fuller — trombone Philly Joe Jones — drums Lee Morgan — trumpet

Blue Train Album: Blue Train (1957) Written by: John Coltrane Personnel: John Coltrane tenor saxophone Paul Chambers — double bass Kenny Drew — piano Curtis Fuller — trombone Philly Joe Jones — drums Lee Morgan — trumpet

One for Daddy-O Album: Somethin' Else (1958) Written by: Nat Adderley Sam Jones Personnel: Cannonball Adderley — alto saxophone Miles Davis — trumpet Hank Jones — piano Sam Jones — bass Art Blakey — drums

Autumn Leaves Album: Somethin' Else (1958) Written by: Joseph Kosma Johnny Mercer Jacques Prévert Personnel: Cannonball Adderley — alto saxophone Miles Davis — trumpet Hank Jones — piano Sam Jones — bass Art Blakey — drums

Cantaloupe Island Album: Empyrean Isles (1964) Written by: Herbie Hancock Personnel: Herbie Hancock — piano Freddie Hubbard — cornet Ron Carter — bass Tony Williams — drums

Maiden Voyage Album: Maiden Voyage (1965) Written by: Herbie Hancock Personnel: Herbie Hancock — piano Freddie Hubbard — trumpet George Coleman — tenor saxophone Ron Carter — bass Tony Williams — drums

Excellent progressive jazz by Dizzy Gillespie with Charlie Parker, Sidney 'Big Sid' Catlett, Al Haig, and Curly Russell. Recorded in 1945 and here released on a GUILD label 78 rpm record. Enjoy!

Arguably Glenn Miller's theme song, "In the Mood", the biggest hit of 1940, which stayed on the Billboard charts for 30 weeks, peaking at #1.

A Love Supreme (1964) 1. Acknowledgement 2. Resolution 3. Pursuance 4. Psalm John Coltrane, tenor saxophone McCoy Tyner, piano Jimmy Garrison, bass Elvin Jones, drums Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, "Acknowledgement" is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, "Resolution," an amazingly beautiful piece about the fury of dedication to a new path of understanding. "Persuance" is a search for that understanding, and "Psalm" is the enlightenment. Although he is at times aggressive and atonal, this isn't Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept — as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it. [allmusic.com]

A Love Supreme (1964) 1. Acknowledgement 2. Resolution 3. Pursuance 4. Psalm John Coltrane, tenor saxophone McCoy Tyner, piano Jimmy Garrison, bass Elvin Jones, drums Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, "Acknowledgement" is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, "Resolution," an amazingly beautiful piece about the fury of dedication to a new path of understanding. "Persuance" is a search for that understanding, and "Psalm" is the enlightenment. Although he is at times aggressive and atonal, this isn't Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept — as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it. [allmusic.com]

John Coltrane — Tenor Saxophone McCoy Tyner — Piano Steve Davis — Bass Elvin Jones — Drums From : Coltrane's Sound released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios during the sessions for My Favorite Things.

Charlie Parker with Miles Davis on SAVOY label 78 rpm record recorded in 1947 performing DONNA LEE! Enjoy!

(F.E. Churchill-L.Morey) Bourne Co. Album- Someday my prince will come Miles Davis-Trumpet John Coltrane-tenor sax Wynton Kelly-piano Paul Chambers-bass Jimmy Cobb, Philly Joe Jones-drums Recorded March 7, 20, and 21 1961 at Columbia 30th Street studio, New York

Classic. Comment/Rate/Enjoy!

Rockeando!

"Cast Your Fate to the Wind" written by Vince Guaraldi was a hit single in 1963 and won the Grammy Award for Best Original Jazz Composition that year. It was included in the album, Jazz Impressions Of Black Orpheus, released on April 18, 1962 by the Vince Guaraldi Trio on Fantasy Records now available on CD on the Ojc label. This sound recording is administered by UMG. I do not own the right to the song, audio, or images contained in this video.No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.