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"Bloomdido" is from Bird & Diz , a studio album by jazz saxophonist Charlie Parker and trumpeter Dizzy Gillespie, recorded on June 6, 1950 and originally released on Clef Records. The album has been reissued several times by Verve and PolyGram Records. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by UMG. No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

"Comin' Home Baby!" written by Bob Dorough and Ben Tucker is a jazz classic by Herbie Mann from his 1961 LP, At the Village Gate on Atlantic Records available on CD. I do not own the right to the songs, audio, or images contained in this video. This sound recording is administered by WMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education not for monetary gain.

Esta es la buena. The Mambo Kings Soundtrack

Ramblin' Album: Change of the Century (1960) Written by: Ornette Coleman Personnel: Ornette Coleman — alto saxophone Don Cherry — pocket trumpet Charlie Haden — bass Billy Higgins — drums

A School of Jazz & Blues Guitarraleão é uma das mais conceituadas instituições de ensino musical do país e oferece cursos intensivos e semi-intensivos do nível básico ao avançado . Instrumentos: Guitarra Violão Baixo Bateria Piano Teclado Sax Trompete Cursos: Blues Jazz Swing Bebop Hard bop Cool jazz Bossa Nova Latin Jazz Fusion( Jazz Rock) Improvisação Harmonia Arranjo Curso técnico de 2 anos __ Tire suas duvidas aqui __ O Aluno tem sua aula individual de uma hora por semana , mais duas práticas de conjunto de duas horas cada uma, mais instrumentos complementares como piano e bateria. R. Basílio da Cunha, 210 - São Paulo - SP - CEP: 01544-000 Fone: (11) .50834669 Site: www.guitarraleao.com.br E-mail: guitarraleao@guitarraleao.com.br

This superb performance of Groovin' High was recorded by Dizzy Gillespie (tp) Charlie Parker (as) John Lewis (p) Al McKibbon (b) and Joe Harris (d) at Carnegie Hall, NYC, September 29, 1947. Best Dizzy's solo in Groovin High ever.

One of my favorite jazz albums has got to to be Wayne Shorter's Night Dreamer. I just started listening to Speak No Evil and so far this is my favorite track. Enjoy.

Bill Evans - Night And Day Tribute to Bill Evans Bill Evans - The Best Of Bill Evans - 04. Night And Day night and day piano solo bill evans jazz tribute the best performance cannonball adderley larry bunker ron carter paul chambers percy heat frddie hubbard chuck israels philly joe jones sam jones connie kay teddy kotick scott lafaro paul motian zoot sims drums tenor sax trumpet bass

Blues March Album: Moanin' (1958) Written by: Benny Golson Personnel: Art Blakey — drums Lee Morgan — trumpet Benny Golson — tenor saxophone Bobby Timmons — piano Jymie Merritt — bass

Along Came Betty Album: Moanin' (1958) Written by: Benny Golson Personnel: Art Blakey — drums Lee Morgan — trumpet Benny Golson — tenor saxophone Bobby Timmons — piano Jymie Merritt — bass

Moanin' Album: Moanin' (1958) Written by: Bobby Timmons Personnel: Art Blakey — drums Lee Morgan — trumpet Benny Golson — tenor saxophone Bobby Timmons — piano Jymie Merritt — bass

Lonely Woman Album: Song for my Father (1964) Written by: Horace Silver Personnel: Horace Silver — piano Blue Mitchell — trumpet Junior Cook — tenor saxophone Eugene Taylor — bass Roy Brooks — drums

Que Pasa? Album: Song for my Father (1964) Written by: Horace Silver Personnel: Horace Silver — piano Carmell Jones — trumpet Joe Henderson — tenor saxophone Teddy Smith — bass Roger Humphries — drums

Song for my Father Album: Song for my Father (1964) Written by: Horace Silver Personnel: Horace Silver — piano Carmell Jones — trumpet Joe Henderson — tenor saxophone Teddy Smith — bass Roger Humphries — drums

Lazy Bird Album: Blue Train (1957) Written by: John Coltrane Personnel: John Coltrane tenor saxophone Paul Chambers — double bass Kenny Drew — piano Curtis Fuller — trombone Philly Joe Jones — drums Lee Morgan — trumpet

Blue Train Album: Blue Train (1957) Written by: John Coltrane Personnel: John Coltrane tenor saxophone Paul Chambers — double bass Kenny Drew — piano Curtis Fuller — trombone Philly Joe Jones — drums Lee Morgan — trumpet

One for Daddy-O Album: Somethin' Else (1958) Written by: Nat Adderley Sam Jones Personnel: Cannonball Adderley — alto saxophone Miles Davis — trumpet Hank Jones — piano Sam Jones — bass Art Blakey — drums

Autumn Leaves Album: Somethin' Else (1958) Written by: Joseph Kosma Johnny Mercer Jacques Prévert Personnel: Cannonball Adderley — alto saxophone Miles Davis — trumpet Hank Jones — piano Sam Jones — bass Art Blakey — drums

Cantaloupe Island Album: Empyrean Isles (1964) Written by: Herbie Hancock Personnel: Herbie Hancock — piano Freddie Hubbard — cornet Ron Carter — bass Tony Williams — drums

Maiden Voyage Album: Maiden Voyage (1965) Written by: Herbie Hancock Personnel: Herbie Hancock — piano Freddie Hubbard — trumpet George Coleman — tenor saxophone Ron Carter — bass Tony Williams — drums

Excellent progressive jazz by Dizzy Gillespie with Charlie Parker, Sidney 'Big Sid' Catlett, Al Haig, and Curly Russell. Recorded in 1945 and here released on a GUILD label 78 rpm record. Enjoy!

Arguably Glenn Miller's theme song, "In the Mood", the biggest hit of 1940, which stayed on the Billboard charts for 30 weeks, peaking at #1.

A Love Supreme (1964) 1. Acknowledgement 2. Resolution 3. Pursuance 4. Psalm John Coltrane, tenor saxophone McCoy Tyner, piano Jimmy Garrison, bass Elvin Jones, drums Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, "Acknowledgement" is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, "Resolution," an amazingly beautiful piece about the fury of dedication to a new path of understanding. "Persuance" is a search for that understanding, and "Psalm" is the enlightenment. Although he is at times aggressive and atonal, this isn't Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept — as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it. [allmusic.com]

A Love Supreme (1964) 1. Acknowledgement 2. Resolution 3. Pursuance 4. Psalm John Coltrane, tenor saxophone McCoy Tyner, piano Jimmy Garrison, bass Elvin Jones, drums Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, "Acknowledgement" is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, "Resolution," an amazingly beautiful piece about the fury of dedication to a new path of understanding. "Persuance" is a search for that understanding, and "Psalm" is the enlightenment. Although he is at times aggressive and atonal, this isn't Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept — as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it. [allmusic.com]